![]() It is just a real shame that the music for this game focusing on Layton’s daughter is just so flat, it lacks the charm and character and joy and emotional weight It does appear to be the sole Layton project whose music isn’t helmed by Tomohito Nishiura: instead, Yuzo Koshiro and Takeshi Yanagawa are the listed composers, but they do a fine job. The mobile game Layton Brothers: Mystery Room that follows Alfendi Layton also has its own music – dare I say that it has actually good jazz music? For being a mobile game that isn’t that long and was never intended to be a Layton title – Alfendi’s existence really messes with the timeline, and he was confirmed canon with a mention in Mystery Journey – the music is rather good. But in the original Japanese release they were an actual vocal song, worth listening to for any Layton fan who didn’t know of this quirk of localisation. Each ending theme for the main series, if you’ve listened to them, have been instrumental tracks. Each main game has minigames for you to play, and each have their own quaint themes. ![]() Now we reach the last parts of the Layton world.
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